Inner Song

Description

Kelly Lee Owens masterful second album Inner Song finds the convention-blurring techno producer and singer/songwriter diving deep into her own psycheexcoriating the struggles shes faced over the last several years and exploring personal pain while embracing the beauty of the natural world. Its a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of.

Inner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. Owens has indeed come a long way from her background as a nurse, since then she has remixed Bjørk & St Vincent, released an indelibly clubby two-tracker, 2019s Let It Go b/w Omen, and teamed up with likeminded auteur Jon Hopkins on the one-off Luminous Spaces.

Her latest album also comes off of what Owens describes as the hardest three years of my life, an emotionally fraught time that, in her words, Definitely impacted my creative life and everything Id worked for up to that point. I wasnt sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again. So while the lovely cover of Radioheads Arpeggi might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tunerecorded a year before work on Inner Song properly kicked offrepresents the sort of sonic rebirth thats so essential to Inner Songs aura.

Inner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co-producer and collaborator James Greenwood and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens craftwork. The evocative title of the album is borrowed from free-jazz maestro Alan Silvas 1972 opus, which was gifted to Owens Smalltown Supersounds Joakim Haugland for her 30th birthday: Im so grateful for him and his perspectiveshes always thinking outside of the box. Those two words really reflect what it felt like to make this record. I did a lot of inner work in the past few years, and this is a true reflection of that. The hair-raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasureas evidenced by the decision to make the albums vinyl release a sesqui album, or triple-sided album: Im still obsessed with frequencies that dont do well on vinyl if they dont have the space.

The power of conceptualizing who you are has really informed this album, Owens states about Inner Songs essence, and her second album is truly a discovery of self the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come.