Description
Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. Its cold, gray, imposing, industrial – and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of head- lining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the 90s, and a technicolor reinvention of the bands somber dancefloor anthems. From the opening synth swell and drum machine throb of Ty Zhe Ne Znaesh Kto Ya, to the goth / post-punk austerity of Son, to the swirling electronic textures mixed with reverb- drenched guitar flourishes, expansive space, and yearning vocals of title track Belaya Polosa – that suggests Depeche Mode at their most reflective or The Cure at their most downtrodden – to the sultry and seductive Chernye Cvety – a track reminiscent of Duran Durans early 90s output in its fusion of dreamy guitars and authoritative mechanized beats – and the interwoven layers of instrumentation, soaring chorus, and melodic sophistication of Ya Tak Ustal, its clear that Molchat Doma are operating on another level.
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