The Black Parade

Description

At the heart of My Chemical Romance lore is the story of lead singer/songwriter/mouthpiece Gerard Way, an animator who decided to abandon illustrations and do something with his life in the wake of 9/11. Needless to say, that important thing was My Chemical Romance, which quickly rose to prominence among the emo and neo-punk bands that cluttered the rock landscape of the 2000s thanks in large part to Im Not OK (I Promise), a surging piece of emo pop with a hook as ridiculously catchy as its title was ridiculous. It deservedly became a hit on both sides of the Atlantic in 2005, dragging its accompanying album 2004s Three Cheers for Sweet Revenge, the groups second along for the ride, turning MCR into stars, at least in modern rock circles. But, anybody who didnt follow the fashions of emo and punk closely might have ignored the groups tragic, romantic neo-goth image and merely assumed that MCR was another good poppy punk one-hit wonder, not far removed from, say, Fall Out Boy. My Chemical Romance intended to dispel all such misconceptions with their third album, The Black Parade, an unabashed, old-fashioned concept album, complete with characters wandering through a vague narrative that concerns very big themes like death.
Actually, death is the only big theme on The Black Parade, which shouldnt come as a big surprise for a band that named their stopgap live album Life on the Murder Scene, nor should the records theatricality come as much as a shock, either tragedy and melodrama are hardwired in the groups DNA, as illustrated by the often-told tale of Ways inspiration to form the band. Also, its not as if The Black Parade is MCRs first concept album, either. Their 2002 debut, I Brought You My Bullets, and its follow-up, Three Cheers, told the interlocking story of doomed lovers on the run from vengeful vampires or some such nonsense, but only the hardcore who were willing to analyze endlessly on the Internet were aware of this; based on pure sound, MCR was an emo-punk band through and through, screaming out their feelings as if they were revelations, so it was easy to assume that their music was merely autobiographical. My Chemical Romance took great pains to have The Black Parade seem like its own theatrical work, launching a whole Web-based campaign, filled with videos and interviews explaining how the album tells the tale of the Patient, a young man dying of cancer in a hospital bed who flashes back on his undistinguished life upon the moment of his death, and how the band got so into this project they considered themselves not My Chemical Romance, but a band called the Black Parade shades of the Beatles and Sgt. Pepper! Naturally, those allusions are quite deliberate, and one that MCR played up in that pre-release campaign, dropping liberal reference to Queen (particularly A Night at the Opera) and Pink Floyds The Wall as well.